Editing Door script
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Latest revision | Your text | ||
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<Doorstop> | <Doorstop> | ||
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<Somerville, MA> | <Somerville, MA> | ||
Outside - Day | |||
AUDREY is riding her bike. If not happy, she at least looks | |||
content. It's sunny, she's taking the ride in a casual way, but | |||
at a fair speed. She pushes herself up a hill and then begins | |||
to go down the other side. Getting up speed, she looks away | |||
from where she's going. | |||
In his car, SEBASTIAN is wearing a suit. He's listening to | |||
something overly loud and rocking out. While he's looking away, | something overly loud and rocking out. While he's looking away, | ||
he opens the driver's side door of his car. Audrey brings her | he opens the driver's side door of his car. Audrey brings her | ||
attention back in front of her, | attention back in front of her, SEBASTIAN is opening the door to | ||
his car. Right in front of her. Audrey slams into the door and | his car. Right in front of her. Audrey slams into the door and | ||
tumbles over it--or whatever people do when they meet doors going | tumbles over it--or whatever people do when they meet doors going | ||
Line 22: | Line 27: | ||
breath as he gets close. | breath as he gets close. | ||
Sebastian takes out his cell phone and calls 9-1-1. | |||
Outside -- Day | |||
Sebastian is helping Audrey out of his car and into her | |||
apartment. | |||
AUDREY | AUDREY | ||
You doored me. You fucking doored me. | |||
Audrey looks at Sebastian quite seriously. | |||
AUDREY | AUDREY | ||
Line 55: | Line 60: | ||
AUDREY | AUDREY | ||
And I thought | And I thought real people didn't open their doors without | ||
looking. | looking. | ||
Line 64: | Line 69: | ||
AUDREY | AUDREY | ||
Don't be sorry, just don't do it again! | |||
Sebastian helps Audrey get herself down on the couch. He leaves | |||
the apartment and rushes back in with her crutches. While he's | |||
gone, she makes the fact typical of a drunk person trying to | |||
remember what they just did. When he comes back, she looks at | |||
him. | |||
AUDREY (CONT'D) | AUDREY (CONT'D) | ||
Line 74: | Line 83: | ||
SEBASTIAN | SEBASTIAN | ||
Yeah, you did. | |||
AUDREY | AUDREY | ||
I'd say I | I'd say I was sorry, but I'm not. | ||
SEBASTIAN | SEBASTIAN | ||
Yeah, you already said that too. Look, I have to go | Yeah, you already said that too. Look, I have to go and take care | ||
of some stuff. I'll see you later. | |||
As he leaves, Audrey sticks her tongue out at his back. | |||
AUDREY | AUDREY | ||
Line 90: | Line 100: | ||
Jerk face doored me and broke my leg. | Jerk face doored me and broke my leg. | ||
Audrey pauses. | |||
AUDREY (CONT'D) | AUDREY (CONT'D) | ||
And took my bike. | And took my bike. | ||
Audrey's Apartment - Day | Audrey's Apartment - Day | ||
Sebastian is knocking on the door to Audrey's apartment. She | |||
hobbles (hops?) over to the door and opens it. He is no longer | |||
wearing his suit. In fact, it's a different day all together. | |||
SEBASTIAN | SEBASTIAN | ||
Line 209: | Line 219: | ||
X-rays aren't cheap! | X-rays aren't cheap! | ||
Audrey looks at Sebastian critically. She then smiles brightly. | |||
AUDREY | AUDREY | ||
Line 215: | Line 225: | ||
Okay. I have a friend who can help you out. One sec. | Okay. I have a friend who can help you out. One sec. | ||
Audrey pulls out her cell phone and makes a call. | |||
AUDREY | AUDREY | ||
Line 223: | Line 233: | ||
Yeah. Uh-huh. A reasonable amount. Sure. That sounds good. | Yeah. Uh-huh. A reasonable amount. Sure. That sounds good. | ||
Outside | |||
Audrey and Sebastian walk to Sprout. | |||
AUDREY | AUDREY | ||
Line 245: | Line 253: | ||
A cargo bike? I want a Lance bike! | A cargo bike? I want a Lance bike! | ||
Sebastian pauses. | |||
SEBASTIAN | SEBASTIAN | ||
Line 251: | Line 259: | ||
What is a cargo bike anyway? | What is a cargo bike anyway? | ||
They arrive at Sprout. Someone is there with the xtracycle. It | |||
looks a little beat up. Technically, it's barely rideable. | |||
AUDREY | AUDREY | ||
Line 257: | Line 266: | ||
That's your cargo bike. | That's your cargo bike. | ||
Sprout - Day | |||
The person who had had the xtracycle walks away counting | |||
something like two hundred dollars in cash. Sebastian is | |||
staring at the bike somewhat horrified. Audrey is looking it | |||
over and making comments on it. The gears probably ought to be | |||
replaced. The brake pads are a little weak. The tires probably | |||
need to be replaced. The wheels are off true. | |||
SEBASTIAN | SEBASTIAN | ||
Line 279: | Line 289: | ||
AUDREY | AUDREY | ||
Bike people. | |||
SEBASTIAN | SEBASTIAN | ||
But I'll look so lame! | |||
AUDREY | AUDREY | ||
You'll look cool. Now, I'll see you in the morning. | |||
SEBASTAIN | SEBASTAIN | ||
Line 298: | Line 308: | ||
3:30. | 3:30. | ||
Audrey's Apartment - Early Morning | |||
Sebastian shows up at Audrey's apartment, parking outside. He | |||
locks the xtracycle up. Audrey is waiting outside. He helps her | |||
get onto the back of the bike. He drives off, obviously having | |||
trouble pulling her. He brakes at a light and the back brake | |||
line snaps. | |||
SEBASTIAN | SEBASTIAN | ||
Line 329: | Line 341: | ||
stopping power right there. We'll fix it later. It's easy. | stopping power right there. We'll fix it later. It's easy. | ||
Sebastian starts biking again. He starts slowly. Audrey rolls | |||
her eyes. | |||
Sprout - Day | |||
Audrey and Sebastian are changing the brake line on the bike. | |||
Having looked at both, they decided to change both, since the | |||
front one looks as though it may snap as well at some point. | |||
SEBASTIAN | SEBASTIAN | ||
Line 375: | Line 388: | ||
If you want me to help you fix it, yeah, you do. | If you want me to help you fix it, yeah, you do. | ||
Sebastian sighs. | |||
SEBASTIAN | SEBASTIAN | ||
Line 385: | Line 398: | ||
One thing to tighten the things. | One thing to tighten the things. | ||
Audrey hands him a socket wrench. | |||
AUDREY (CONT'D) | AUDREY (CONT'D) | ||
Line 397: | Line 410: | ||
AUDREY | AUDREY | ||
You | You gor your driver's license suspended, right? There are no | ||
licenses to ride a bike. | licenses to ride a bike. | ||
Line 417: | Line 430: | ||
No, I totally have to hear this one. | No, I totally have to hear this one. | ||
Audrey begins to poke Sebastian in the side with one of her | |||
crutches. | |||
AUDREY (CONT'D) | AUDREY (CONT'D) | ||
Line 445: | Line 459: | ||
and I didn't want to miss the series finale of Lost. | and I didn't want to miss the series finale of Lost. | ||
Audrey starts to crack up. | |||
AUDREY | AUDREY | ||
Line 455: | Line 469: | ||
You said you'd shut up. | You said you'd shut up. | ||
Early morning bike ride | |||
Audrey is standing around waiting for Sebastian. She's holding | |||
a package (brown bag, bag, pick one). Sebastian pulls up and | |||
she gives it to him. | |||
AUDREY | AUDREY | ||
Line 464: | Line 479: | ||
Here's some bread. | Here's some bread. | ||
Sebastian takes the package and opens it. | |||
SEBASTIAN | SEBASTIAN | ||
Line 470: | Line 485: | ||
Good morning to you too. | Good morning to you too. | ||
He tears off a chunk and bites into it. | |||
SEBASTIAN (CONT'D) | SEBASTIAN (CONT'D) | ||
Line 480: | Line 495: | ||
No, I made it-- | No, I made it-- | ||
While chewing, Sebastian helps her onto the bike. | |||
AUDREY (CONT'D) | AUDREY (CONT'D) | ||
Line 498: | Line 513: | ||
Almondy deliciousness. | Almondy deliciousness. | ||
Audrey reaches and attempts to wack Sebastian on the helmet. | |||
She misses. He laughs. He makes his way up a hill. He's | |||
struggling. | |||
AUDREY | AUDREY | ||
Why don't you just change the gear? | |||
SEBASTIAN | SEBASTIAN | ||
The uhh | The uhh right hand cable snapped. | ||
AUDREY | AUDREY | ||
Line 514: | Line 531: | ||
SEBASTIAN | SEBASTIAN | ||
I tried, but | I tried, but I couldn't figure out where to connect it. | ||
Audrey sighs. | |||
AUDREY | AUDREY | ||
Line 524: | Line 541: | ||
SEBASTIAN | SEBASTIAN | ||
Can we also do something about the chain? It seems too long. | Can we also do something about the chain? It seems too long. | ||
Sprout - Day | |||
Sebastian and Audrey are working on his bike. It's almost | |||
finished. Sebastian is leaning over the bike, doing something. | |||
Audrey is watching critically. Sebastian is looking at the | |||
chain and it's not closed and too long. | |||
AUDREY | AUDREY | ||
Line 544: | Line 562: | ||
We add them back on. Just take off two. | We add them back on. Just take off two. | ||
Sebastian cuts two links off the chain and tries to pull the | |||
ends together. It's about the right length. He looks at the key | |||
link. | |||
SEBASTIAN | SEBASTIAN | ||
Line 562: | Line 582: | ||
Here, let me show you. | Here, let me show you. | ||
Audrey maneuvers herself over to Sebastian and shows him how to | |||
do it. He watches her and nods. | |||
AUDREY | AUDREY | ||
Now | Now check the gears. | ||
Sebastian pedals the bike in place and goes through each gear. | |||
SEBASTIAN | SEBASTIAN | ||
Line 590: | Line 607: | ||
take. | take. | ||
Sebastian makes a minor adjustment or two. Sebastian looks up | |||
at her and smiles. | |||
SEBASTIAN (CONT'D) | SEBASTIAN (CONT'D) | ||
Line 608: | Line 626: | ||
Like as far as you need. | Like as far as you need. | ||
Sebastian takes the bike outside and leaves the driveway. | |||
Audrey watches him. | |||
Outside of the Bakery - Day | |||
Audrey is hobbling out of her place of employ. Sebastian's | |||
there, outside, on the xtracycle. He's beaming. | |||
AUDREY | AUDREY | ||
Line 628: | Line 646: | ||
That's great! | That's great! | ||
Sebastian and Audrey hi5. | |||
SEBASTIAN | SEBASTIAN | ||
Line 667: | Line 685: | ||
And the fact I'm working again next week. | And the fact I'm working again next week. | ||
Sebastian helps Audrey onto the back of the xtracycle. While | |||
he's helping her, he talks. | |||
SEBASTIAN | SEBASTIAN | ||
Line 686: | Line 705: | ||
Sure. | Sure. | ||
Sebastian bikes off. Now, he goes easily with Audrey on the | |||
back. | |||
Ice Cream Place (Outside) - Day | |||
Audrey and Sebastian are sitting next to eachother eating ice | |||
cream. They're getting along. Audrey and Sebastian talk trash | |||
about other people's bikes. | |||
Audrey's Apartment - Night | |||
I think maybe I should just delete this. | |||
Sebastian knocks on the door to Audrey's apartment. He's | |||
carrying a garment bag over his arm shoulder and his bike as | |||
well. Audrey opens the door. She's already in her pajamas. | |||
SEBASTIAN | SEBASTIAN | ||
Line 718: | Line 741: | ||
SEBASTIAN | SEBASTIAN | ||
But I want my bike around. I don't want to have to | But I want my bike around. I don't want to have to rely on public | ||
transportation. | |||
Audrey sighs and shakes her head. She turns around and reenters | |||
the apartment, motioning for Sebastian to follow. She talks to | |||
herself. | |||
AUDREY | AUDREY | ||
Line 728: | Line 754: | ||
Cut to | Cut to | ||
Sebastian is wearing his suit. His tie matches. Or is ugly. One | |||
or the other. It's not just “okay,” it's either great or awful. | |||
AUDREY | AUDREY | ||
Line 734: | Line 761: | ||
Roll up your pant legs. Both of them. | Roll up your pant legs. Both of them. | ||
Sebastian does so. | |||
SEBASTIAN | SEBASTIAN | ||
Line 747: | Line 774: | ||
They're really not suited for bike riding. | They're really not suited for bike riding. | ||
Sebastian takes off his coat. | |||
SEBASTIAN | SEBASTIAN | ||
Line 762: | Line 789: | ||
But I'll look cool like that! | But I'll look cool like that! | ||
Audrey puts his helmet on his head. Once she's close enough, | |||
she tucks his tie into his shirt herself. | |||
AUDREY | AUDREY | ||
Line 776: | Line 804: | ||
You're Lance cool. | You're Lance cool. | ||
Audrey and Sebastian stand there awkwardly, still just as | |||
close. I can write flowery text to express complex emotion | |||
here. Slightly before he moves, Audrey kisses him. It's rushed | |||
and sudden. I'm trying to think of an analogy to a film. I | |||
don't want it to be sweet and loving, but heavy and full of | |||
need. They sink to the ground, out of the image of the shot. | |||
The two bikes--Audrey's and Sebastian's--are leaning near | |||
eachother. One bike leans more and falls into the other. Audrey | |||
or Sebastian--implications? I think Audrey would make more | |||
sense--just because she has a broken leg--reaches up and we see | |||
their hand grip the frame of the bike. Alternatively, we can | |||
not have this happen and have an awkward good bye. | |||
Audrey's Place of Employ - Day, early morning | |||
Sebastian pulls up and stops. Audrey's been holding the garment | |||
bag. Sebastian's wearing the clothes he was last night. He gets | |||
off his bike and tries to help her off. As they touch, they | |||
both apologize too often, move awkwardly around one another, | |||
and try not to be too involved. Their goodbye is muddled and | |||
covered with multiple levels of see you laters. Sebastian takes | |||
off rather quickly. Audrey, herself not sure what happened or | |||
what it means, looks uncomfortable. | |||
Outside - Night | |||
Sebastian walks outside of a restaurant or bar--somewhere--with | |||
a friend of his. Let's call him Mike. Mike's a generic kind of | |||
general name. Outside is parked the car that had been | |||
Sebastian's. Sebastian is holding his helmet. | |||
MIKE | MIKE | ||
Line 811: | Line 857: | ||
You're telling me. Do you need a ride home? | You're telling me. Do you need a ride home? | ||
Sebastian looks at the car for a moment. There's a pause, but | |||
no longing or nostalia associated with what had been his life | |||
before. He holds up his helmet. | |||
SEBASTIAN | SEBASTIAN | ||
Line 817: | Line 865: | ||
No, I got my bike here. | No, I got my bike here. | ||
Mike shrugs and unlocks the car. | |||
MIKE | MIKE | ||
Line 827: | Line 875: | ||
Later. | Later. | ||
Mike gets in and Sebastian goes to unlock his bike. | |||
Sprout, or similar outside place - Day | |||
Audrey is cast free. Her bike is there and she's holding it a | |||
little farther away from her than she should be to get on it. | |||
Sebastian is standing there. He's trying hard not to look | |||
impatient. | |||
SEBASTIAN | SEBASTIAN | ||
Line 854: | Line 903: | ||
You're being scared. | You're being scared. | ||
AUDREY | AUDREY | ||
Line 867: | Line 916: | ||
Just shut up, okay? | Just shut up, okay? | ||
Audrey is standing on the side of the bike that the broken leg | |||
was on. She tries to balance herself on the recently broken leg | |||
to get on her bike. She wobbles and the bike doesn't provide | |||
enough balance and it too wobbles. She and the bike fall down | |||
in a heap. Sebastian offers her a hand, but she shakes her head | |||
and gets up quickly on her own. Sebastian picks the bike back | |||
up. | |||
SEBASTIAN | SEBASTIAN | ||
Line 898: | Line 953: | ||
It'd be me helping your bike. | It'd be me helping your bike. | ||
Audrey gets on the bike with Sebastian supporting it. | |||
SEBASTIAN (CONT'D) | SEBASTIAN (CONT'D) | ||
Line 904: | Line 959: | ||
I'm gonna let go, okay? | I'm gonna let go, okay? | ||
Sebastian lets go and Audrey begins to pedal slowly on her own. | |||
AUDREY | AUDREY | ||
See? I told you I can ride my bike myself. | See? I told you I can ride my bike myself. | ||
Audrey and Sebastian go on a bike ride. He's riding a different | Audrey and Sebastian go on a bike ride. He's riding a different |