Editing Door script
From WikiDotMako
Warning: You are not logged in. Your IP address will be publicly visible if you make any edits. If you log in or create an account, your edits will be attributed to your username, along with other benefits.
The edit can be undone. Please check the comparison below to verify that this is what you want to do, and then publish the changes below to finish undoing the edit.
Latest revision | Your text | ||
Line 5: | Line 5: | ||
<Somerville, MA> | <Somerville, MA> | ||
==Scene 1== | ==Scene 1== | ||
EXT Outside - Day | EXT Outside - Day | ||
AUDREY is riding her bike. If not happy, she at least looks | |||
content. It's sunny, she's taking the ride in a casual way, but | |||
at a fair speed. She pushes herself up a hill and then begins | |||
to go down the other side. Getting up speed, she looks away | |||
from where she's going. | |||
INTERCUT WITH In his car, SEBASTIAN is wearing a suit. He's listening to | INTERCUT WITH In his car, SEBASTIAN is wearing a suit. He's listening to | ||
Line 22: | Line 28: | ||
breath as he gets close. | breath as he gets close. | ||
Sebastian takes out his cell phone and calls 9-1-1. | |||
==Scene 2== | ==Scene 2== | ||
EXT Outside -- Day | EXT Outside -- Day | ||
Sebastian is helping Audrey out of his car and into her | |||
apartment. | |||
AUDREY | AUDREY | ||
You doored me. You fucking doored me. | |||
Audrey looks at Sebastian quite seriously. | |||
AUDREY | AUDREY | ||
Line 55: | Line 62: | ||
AUDREY | AUDREY | ||
And I thought | And I thought real people didn't open their doors without | ||
looking. | looking. | ||
Line 64: | Line 71: | ||
AUDREY | AUDREY | ||
Don't be sorry, just don't do it again! | |||
Sebastian helps Audrey get herself down on the couch. He leaves | |||
the apartment and rushes back in with her crutches. While he's | |||
gone, she makes the fact typical of a drunk person trying to | |||
remember what they just did. When he comes back, she looks at | |||
him. | |||
AUDREY (CONT'D) | AUDREY (CONT'D) | ||
Line 74: | Line 85: | ||
SEBASTIAN | SEBASTIAN | ||
Yeah, you did. | |||
AUDREY | AUDREY | ||
I'd say I | I'd say I was sorry, but I'm not. | ||
SEBASTIAN | SEBASTIAN | ||
Yeah, you already said that too. Look, I have to go | Yeah, you already said that too. Look, I have to go and take care | ||
of some stuff. I'll see you later. | |||
As he leaves, Audrey sticks her tongue out at his back. | |||
AUDREY | AUDREY | ||
Line 90: | Line 102: | ||
Jerk face doored me and broke my leg. | Jerk face doored me and broke my leg. | ||
Audrey pauses. | |||
AUDREY (CONT'D) | AUDREY (CONT'D) | ||
Line 100: | Line 112: | ||
Audrey's Apartment - Day | Audrey's Apartment - Day | ||
Sebastian is knocking on the door to Audrey's apartment. She | |||
hobbles (hops?) over to the door and opens it. He is no longer | |||
wearing his suit. In fact, it's a different day all together. | |||
SEBASTIAN | SEBASTIAN | ||
Line 209: | Line 223: | ||
X-rays aren't cheap! | X-rays aren't cheap! | ||
Audrey looks at Sebastian critically. She then smiles brightly. | |||
AUDREY | AUDREY | ||
Line 215: | Line 229: | ||
Okay. I have a friend who can help you out. One sec. | Okay. I have a friend who can help you out. One sec. | ||
Audrey pulls out her cell phone and makes a call. | |||
AUDREY | AUDREY | ||
Line 227: | Line 241: | ||
EXT Outside - Day | EXT Outside - Day | ||
Audrey and Sebastian walk to Sprout. | |||
AUDREY | AUDREY | ||
Line 245: | Line 259: | ||
A cargo bike? I want a Lance bike! | A cargo bike? I want a Lance bike! | ||
Sebastian pauses. | |||
SEBASTIAN | SEBASTIAN | ||
Line 251: | Line 265: | ||
What is a cargo bike anyway? | What is a cargo bike anyway? | ||
They arrive at Sprout. Someone is there with the xtracycle. It | |||
looks a little beat up. Technically, it's barely rideable. | |||
AUDREY | AUDREY | ||
Line 263: | Line 278: | ||
EXT Sprout - Day | EXT Sprout - Day | ||
The person who had had the xtracycle walks away counting | |||
something like two hundred dollars in cash. Sebastian is | |||
staring at the bike somewhat horrified. Audrey is looking it | |||
over and making comments on it. The crankset ought to be | |||
replaced because the broken pedal doesn't come off. The brake | |||
pads are a little weak. The tires probably | |||
need to be replaced. The wheels are off true. | |||
SEBASTIAN | SEBASTIAN | ||
Line 279: | Line 300: | ||
AUDREY | AUDREY | ||
Bike people. | |||
SEBASTIAN | SEBASTIAN | ||
But I'll look so lame! | |||
AUDREY | AUDREY | ||
You'll look cool. Now, I'll see you in the morning. | |||
SEBASTAIN | SEBASTAIN | ||
Line 302: | Line 323: | ||
EXT Audrey's Apartment - Early Morning | EXT Audrey's Apartment - Early Morning | ||
Sebastian shows up at Audrey's apartment, parking outside. He | |||
locks the xtracycle up. Audrey is waiting outside. He helps her | |||
get onto the back of the bike. He drives off, obviously having | |||
trouble pulling her. He brakes at a light and the back brake | |||
line snaps. | |||
SEBASTIAN | SEBASTIAN | ||
Line 329: | Line 354: | ||
stopping power right there. We'll fix it later. It's easy. | stopping power right there. We'll fix it later. It's easy. | ||
Sebastian starts biking again. He starts slowly. Audrey rolls | |||
her eyes. | |||
==Scene 6== | ==Scene 6== | ||
Line 335: | Line 361: | ||
EXT Sprout - Day | EXT Sprout - Day | ||
Audrey and Sebastian are changing the brake line on the bike. | |||
Having looked at both, they decided to change both, since the | |||
front one looks as though it may snap as well at some point. | |||
SEBASTIAN | SEBASTIAN | ||
Line 375: | Line 403: | ||
If you want me to help you fix it, yeah, you do. | If you want me to help you fix it, yeah, you do. | ||
Sebastian sighs. | |||
SEBASTIAN | SEBASTIAN | ||
Line 385: | Line 413: | ||
One thing to tighten the things. | One thing to tighten the things. | ||
Audrey hands him a socket wrench. | |||
AUDREY (CONT'D) | AUDREY (CONT'D) | ||
Line 417: | Line 445: | ||
No, I totally have to hear this one. | No, I totally have to hear this one. | ||
Audrey begins to poke Sebastian in the side with one of her | |||
crutches. | |||
AUDREY (CONT'D) | AUDREY (CONT'D) | ||
Line 445: | Line 474: | ||
and I didn't want to miss the series finale of Lost. | and I didn't want to miss the series finale of Lost. | ||
Audrey starts to crack up. | |||
AUDREY | AUDREY | ||
Line 455: | Line 484: | ||
You said you'd shut up. | You said you'd shut up. | ||
EXT Audrey's Apartment - Early Morning | EXT Audrey's Apartment - Early Morning | ||
Audrey is standing around waiting for Sebastian. She's holding | |||
a package (brown bag, bag, pick one). Sebastian pulls up and | |||
she gives it to him. | |||
AUDREY | AUDREY | ||
Line 464: | Line 494: | ||
Here's some bread. | Here's some bread. | ||
Sebastian takes the package and opens it. | |||
SEBASTIAN | SEBASTIAN | ||
Line 470: | Line 500: | ||
Good morning to you too. | Good morning to you too. | ||
He tears off a chunk and bites into it. | |||
SEBASTIAN (CONT'D) | SEBASTIAN (CONT'D) | ||
Line 480: | Line 510: | ||
No, I made it-- | No, I made it-- | ||
While chewing, Sebastian helps her onto the bike. | |||
AUDREY (CONT'D) | AUDREY (CONT'D) | ||
Line 498: | Line 528: | ||
Almondy deliciousness. | Almondy deliciousness. | ||
Audrey reaches and attempts to wack Sebastian on the helmet. | |||
She misses. He laughs. He makes his way up a hill. He's | |||
struggling. | |||
AUDREY | AUDREY | ||
Why don't you just change the gear? | |||
SEBASTIAN | SEBASTIAN | ||
The uhh | The uhh right hand cable snapped. | ||
AUDREY | AUDREY | ||
Line 514: | Line 546: | ||
SEBASTIAN | SEBASTIAN | ||
I tried, but | I tried, but I couldn't figure out where to connect it. | ||
Audrey sighs. | |||
AUDREY | AUDREY | ||
Line 524: | Line 556: | ||
SEBASTIAN | SEBASTIAN | ||
Can we also do something about the chain? It seems too long. | Can we also do something about the chain? It seems too long. | ||
==Scene | ==Scene 7== | ||
EXT Sprout - Day | EXT Sprout - Day | ||
Sebastian and Audrey are working on his bike. It's almost | |||
finished. Sebastian is leaning over the bike, doing something. | |||
Audrey is watching critically. Sebastian is looking at the | |||
chain and it's not closed and too long. | |||
AUDREY | AUDREY | ||
Line 544: | Line 579: | ||
We add them back on. Just take off two. | We add them back on. Just take off two. | ||
Sebastian cuts two links off the chain and tries to pull the | |||
ends together. It's about the right length. He looks at the key | |||
link. | |||
SEBASTIAN | SEBASTIAN | ||
Line 562: | Line 599: | ||
Here, let me show you. | Here, let me show you. | ||
Audrey maneuvers herself over to Sebastian and shows him how to | |||
do it. He watches her and nods. | |||
AUDREY | AUDREY | ||
Now | Now check the gears. | ||
Sebastian pedals the bike in place and goes through each gear. | |||
SEBASTIAN | SEBASTIAN | ||
Line 590: | Line 624: | ||
take. | take. | ||
Sebastian makes a minor adjustment or two. Sebastian looks up | |||
at her and smiles. | |||
SEBASTIAN (CONT'D) | SEBASTIAN (CONT'D) | ||
Line 608: | Line 643: | ||
Like as far as you need. | Like as far as you need. | ||
Sebastian takes the bike outside and leaves the driveway. | |||
Audrey watches him. | |||
==Scene 8== | ==Scene 8== | ||
Line 614: | Line 650: | ||
EXT Outside of the Bakery - Day | EXT Outside of the Bakery - Day | ||
Audrey is hobbling out of her place of employ. Sebastian's | |||
there, outside, on the xtracycle. He's beaming. | |||
AUDREY | AUDREY | ||
Line 628: | Line 665: | ||
That's great! | That's great! | ||
Sebastian and Audrey hi5. | |||
SEBASTIAN | SEBASTIAN | ||
Line 667: | Line 704: | ||
And the fact I'm working again next week. | And the fact I'm working again next week. | ||
Sebastian helps Audrey onto the back of the xtracycle. While | |||
he's helping her, he talks. | |||
SEBASTIAN | SEBASTIAN | ||
Line 686: | Line 724: | ||
Sure. | Sure. | ||
Sebastian bikes off. Now, he goes easily with Audrey on the | |||
back. | |||
==Scene 9== | ==Scene 9== | ||
EXT Ice Cream Place - Day | EXT Ice Cream Place - Day | ||
Audrey and Sebastian are sitting next to eachother eating ice | |||
cream. They're getting along. Audrey and Sebastian talk trash | |||
about other people's bikes. | |||
INT Audrey's Apartment - Night | INT Audrey's Apartment - Night | ||
I think maybe I should just delete this. | |||
Sebastian knocks on the door to Audrey's apartment. He's | |||
carrying a garment bag over his arm shoulder and his bike as | |||
well. Audrey opens the door. She's already in her pajamas. | |||
SEBASTIAN | SEBASTIAN | ||
Line 718: | Line 761: | ||
SEBASTIAN | SEBASTIAN | ||
But I want my bike around. I don't want to have to | But I want my bike around. I don't want to have to rely on public | ||
transportation. | |||
Audrey sighs and shakes her head. She turns around and reenters | |||
the apartment, motioning for Sebastian to follow. She talks to | |||
herself. | |||
AUDREY | AUDREY | ||
Line 728: | Line 774: | ||
Cut to | Cut to | ||
Sebastian is wearing his suit. His tie matches. Or is ugly. One | |||
or the other. It's not just “okay,” it's either great or awful. | |||
AUDREY | AUDREY | ||
Line 734: | Line 781: | ||
Roll up your pant legs. Both of them. | Roll up your pant legs. Both of them. | ||
Sebastian does so. | |||
SEBASTIAN | SEBASTIAN | ||
Line 747: | Line 794: | ||
They're really not suited for bike riding. | They're really not suited for bike riding. | ||
Sebastian takes off his coat. | |||
SEBASTIAN | SEBASTIAN | ||
Line 762: | Line 809: | ||
But I'll look cool like that! | But I'll look cool like that! | ||
Audrey puts his helmet on his head. Once she's close enough, | |||
she tucks his tie into his shirt herself. | |||
AUDREY | AUDREY | ||
Line 776: | Line 824: | ||
You're Lance cool. | You're Lance cool. | ||
Audrey and Sebastian stand there awkwardly, still just as | |||
close. I can write flowery text to express complex emotion | |||
here. Slightly before he moves, Audrey kisses him. It's rushed | |||
and sudden. I'm trying to think of an analogy to a film. I | |||
don't want it to be sweet and loving, but heavy and full of | |||
need. They sink to the ground, out of the image of the shot. | |||
The two bikes--Audrey's and Sebastian's--are leaning near | |||
eachother. One bike leans more and falls into the other. Audrey | |||
or Sebastian--implications? I think Audrey would make more | |||
sense--just because she has a broken leg--reaches up and we see | |||
their hand grip the frame of the bike. Alternatively, we can | |||
not have this happen and have an awkward good bye. | |||
==Scene 10== | ==Scene 10== | ||
EXT Audrey's Place of Employ - Day, early morning | EXT Audrey's Place of Employ - Day, early morning | ||
Sebastian pulls up and stops. Audrey's been holding the garment | |||
bag. Sebastian's wearing the clothes he was last night. He gets | |||
off his bike and tries to help her off. As they touch, they | |||
both apologize too often, move awkwardly around one another, | |||
and try not to be too involved. Their goodbye is muddled and | |||
covered with multiple levels of see you laters. Sebastian takes | |||
off rather quickly. Audrey, herself not sure what happened or | |||
what it means, looks uncomfortable. | |||
==Scene 11== | ==Scene 11== | ||
Line 787: | Line 853: | ||
EXT Outside - Night | EXT Outside - Night | ||
Sebastian walks outside of a restaurant or bar--somewhere--with | |||
a friend of his. Let's call him Mike. Mike's a generic kind of | |||
general name. Outside is parked the car that had been | |||
Sebastian's. Sebastian is holding his helmet. | |||
MIKE | MIKE | ||
Line 811: | Line 880: | ||
You're telling me. Do you need a ride home? | You're telling me. Do you need a ride home? | ||
Sebastian looks at the car for a moment. There's a pause, but | |||
no longing or nostalia associated with what had been his life | |||
before. He holds up his helmet. | |||
SEBASTIAN | SEBASTIAN | ||
Line 817: | Line 888: | ||
No, I got my bike here. | No, I got my bike here. | ||
Mike shrugs and unlocks the car. | |||
MIKE | MIKE | ||
Line 827: | Line 898: | ||
Later. | Later. | ||
Mike gets in and Sebastian goes to unlock his bike. | |||
EXT Sprout, or similar outside place - Day | EXT Sprout, or similar outside place - Day | ||
Audrey is cast free. Her bike is there and she's holding it a | |||
little farther away from her than she should be to get on it. | |||
Sebastian is standing there. He's trying hard not to look | |||
impatient. | |||
SEBASTIAN | SEBASTIAN | ||
Line 854: | Line 926: | ||
You're being scared. | You're being scared. | ||
AUDREY | AUDREY | ||
Line 867: | Line 939: | ||
Just shut up, okay? | Just shut up, okay? | ||
Audrey is standing on the side of the bike that the broken leg | |||
was on. She tries to balance herself on the recently broken leg | |||
to get on her bike. She wobbles and the bike doesn't provide | |||
enough balance and it too wobbles. She and the bike fall down | |||
in a heap. Sebastian offers her a hand, but she shakes her head | |||
and gets up quickly on her own. Sebastian picks the bike back | |||
up. | |||
SEBASTIAN | SEBASTIAN | ||
Line 898: | Line 976: | ||
It'd be me helping your bike. | It'd be me helping your bike. | ||
Audrey gets on the bike with Sebastian supporting it. | |||
SEBASTIAN (CONT'D) | SEBASTIAN (CONT'D) | ||
Line 904: | Line 982: | ||
I'm gonna let go, okay? | I'm gonna let go, okay? | ||
Sebastian lets go and Audrey begins to pedal slowly on her own. | |||
AUDREY | AUDREY | ||
Line 910: | Line 988: | ||
See? I told you I can ride my bike myself. | See? I told you I can ride my bike myself. | ||
==Scene | ==Scene 12== | ||
EXT Somewhere Pretty - Day | EXT Somewhere Pretty - Day |